After flirting with the abstract and the surreal in the midst of slasher
film shenanigans with “Halloween II,” writer/director Rob Zombie has
decided to scratch the itch in full with “The Lords of Salem.” A bizarre
mind-bomb of a movie, the feature represents a slight change in
direction for the helmer, who once had a ball raising hillbilly hell and
now appears to be consumed with atmospheric nightmares, with a heavy
tilt toward psychological erosion. “The Lords of Salem” isn’t for every
taste, with those hankering for a vicious joyride into the black heart
of witchcraft sure to walk away disappointed. The effort is best suited
for viewers willing to allow Zombie time to chase artistic impulses and
genre obsessions, to let the doomsday weirdness gradually wash over
them.
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