Continuing his barbed but playful filmmaking interests as of late,
writer/director Francois Ozon works his way to an exploration of
voyeurism with his latest effort, “In the House.” Playing to the
helmer’s strengths as it details obsession and mental gamesmanship, the
feature is a riveting endeavor that blurs the line between fact and
fiction, working as delicious commentary on the mechanics of literary
manipulation while managing a peculiar complexity as a tale of depressed
people avoiding their own realities. It’s amusing and unexpected,
capturing the compulsive spirit of writing with wit and attention to
mischief that keeps it unpredictable to the very end.
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