Reviewed at Fantastic Fest 2013
“Escape from Tomorrow” has a gimmick. And it’s an interesting one.
Taking cameras, a script, and actors into Walt Disney World,
writer/director Randy Moore set out to make movie without permission,
utilizing the theme parks as a chaotic backdrop for a tale concerning a
mental breakdown. The idea opens itself to satiric brilliance,
contrasting this screaming psychological erosion with visions of
costumed characters and spinning rides. Yet, Moore does absolutely
nothing with this rare production event, failing to build a story or
even a passable sense of hallucination with “Escape from Tomorrow,”
which often relies on strained surrealism and shock value to pass the
time between park visits.
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