Author: BO

"Price Check" is an unassuming dark comedy that packs a decent punch.
Using cover fire provided by the picture's workplace setting, with its
numbing talk of stats and strategies, the screenplay is actually quite
poisonous, treating the lure of temptation and casual lying with a
refreshing forthrightness, unencumbered by melodrama. Guided by a
fireball performance from Parker Posey, "Price Check" is uncomfortable
to watch in all the good ways, finding authenticity from an ugly
situation, while working through "Office Space" particulars with a sly
sense of humor and an appreciation for the humiliation and anxiety of an
exhaustive 9-5 life. Read the rest at Blu-ray.com

"Killing Them Softly" isn't your average hitman movie. It isn't your
average heist picture. Heck, it's not really your average Brad Pitt
starring vehicle either. Reteaming with his "The Assassination of Jesse
James by the Coward Robert Ford" director, Andrew Dominik, Pitt assumes
another role that's cushioned by an ample amount of atmosphere, never
really requiring his full participation. Stylish and bleak, "Killing
Them Softly" is also profoundly political, using the basic tenets of the
mob genre to comment on the financial state of the nation, where even
men who've devoted their lives to murder can't make a buck these days. Read the rest at Blu-ray.com

I wonder how many people outside of horror genre fanatics even remember
the release of 2009's "The Collector." A low-budget effort slipped into
the summer moviegoing season without much fanfare, the feature only
attracted a small audience before it was shipped off to home video,
where I presume it found its fair share of admirers. After all, over
three years later, we now have "The Collection," a sequel that takes its
job of continuation seriously, despite greeting potentially hazy
memories at the multiplex. Vicious, loud, and shockingly short (72
minutes long), the follow-up only manages to match the scattered
highlights of its predecessor, unwilling to challenge the proven formula
the production orders up for round two. Read the rest at Blu-ray.com

After a thorough peeling in last month's unexpectedly bitter HBO
offering, "The Girl," the life and times of cinema's reigning master of
suspense returns to the screen in the appropriately titled "Hitchcock."
Although the mood has been considerably lightened from the cable
offering, "Hitchcock" remains equally troubled when it comes to the
internal workings of the filmmaker, once again wading into the vast
reservoir of the man's neuroses to decode how such a distanced,
manipulative pop culture figure and industry legend went about his daily
business during a particularly stressful stretch of his career. The
results are entertaining and capably acted, but true insight remains at
arm's length, despite a feature cooking up all sorts of ghoulish visions
and barely concealed jealousies. Read the rest at Blu-ray.com

The easy move would be to compare the drama "Sister" to the 2011
feature, "The Kid with a Bike." Both pictures invest in the
thinly-veiled agony of lost youth, following two boys as they deal with
parental abandonment in aggressive yet painfully insular ways. While
"Bike" was more demonstrative with its fits of pain, "Sister" takes a
path of misdirection, conjuring an absorbing tale of thievery on the
Swiss slopes while director Ursula Meier works her way into
uncomfortable areas of truth and neglect. For the most part a distant
film, "Sister" supplies a full behavioral experience that's riveting at
times, with lead performances by Lea Seydoux and Kacey Mottet Klein
communicating isolation in bravely vulnerable ways. Read the rest at Blu-ray.com

“Hellgate” comes from writer/director John Penney, the helmer
responsible for the 2006 thriller, “Zyzzyx Rd,” which holds the
distinction of being the lowest-grossing movie of all time. Ouch.
Returning to screens with a more marketable premise and pronounceable
title, Penney develops a “Ghost Whisperer” riff with “Hellgate,”
showering the viewer with images of bloodied demons, overly emotive
actors, and supernatural happenings, molded into a strangely lifeless
tale of alternate worlds and survivor guilt. Made cheaply and
formulaically, the feature’s only real asset is its Thai locations,
which provide the picture with personality and atmosphere Penney doesn’t
bring to the writing. Read the rest at Blu-ray.com

“Holy Motors” is a puzzler with a mischievous spirit. It’s nearly
impossible to understand the overall movement of this abstract French
production, but its individual scenes possess sizable power, playing
with emotional speeds and film genres while always on the hunt for ways
to keep the viewer guessing as to where this collection of images and
sound is going to head next. It’s far from an engrossing excursion into
experimental cinema, yet “Holy Motors” remains determined to chase
impulses and stage fascinating moments of life, death, sex, and musical
performance. It’s not always the easiest sit, but it’s frequently
memorable and commendably demented. Read the rest at Blu-ray.com

“Deadfall” is troubling on a variety of levels, with its general
ineffectiveness taking a top position of concern. Populated with
troubled, violent characters who march their way through slight but
intriguing emotional barriers, the feature captures a stimulating feel
for a multi-character design of dysfunction. It’s director Stefan
Ruzowitzky who doesn’t mastermind a stable approach, failing to juggle
the subplots in a substantial manner, making the movie more about minor
moments with overly agitated characters. A few striking scenes of
snowscape conflict and familial discord bring appealing poison to the
proceedings, but the overall viewing experience of “Deadfall” triggers
substantial frustration as it winds through a bizarre string of
encounters without ever stopping to figure out a fulfilling narrative
direction. Read the rest at Blu-ray.com

The story about the creation and release predicament behind the “Red
Dawn” remake is actually quite interesting. Originally shot in 2009, the
picture hit severe financial turbulence when original studio MGM
teetered on bankruptcy, a dilemma that also threatened the stability of
the James Bond and “The Hobbit” franchises. “Red Dawn” was made to wait
while the pennies were counted and sorted, eventually sold off to a
smaller distributor altogether. And then questions were raised about its
invading Chinese villains. Sensing a dent in its international box
office potential, the producers hastily changed the baddies to North
Koreans, requiring extensive dubbing, cosmetic CGI, and a rethinking of
military motivation. After a three-year wait, countless abandoned
release dates, and teases of intriguing behind-the-scenes turmoil, “Red
Dawn” is finally here. And now having viewed the final product, I hope
the ghost of Patrick Swayze forever haunts the producers for their
creative cluelessness and unapologetic mangling of a once wildly
entertaining war film premise. Read the rest at Blu-ray.com

“Rise of the Guardians” might appear to be another holiday-themed romp
released during a special time of year when audiences are in the mood
for such festive distractions. However, one only has to read the credit
“Executive produced by Guillermo Del Toro” to appreciate just what type
of fantasy experience the feature actually contains. With a taste for
nightmarish imagery and a detailed reworking of its league of
extraordinary magical figures, “Rise of the Guardians” has a harder edge
than I’m sure most families will be expecting, yet this focus on
adventure and concentrated evil creates an engaging movie with plenty of
excitement and a true sense of character motivation, gifting the
material impact when all signs point to numbing frivolity. Read the rest at Blu-ray.com

It’s difficult to label “Life of Pi” as soulfully nourishing, but it’s
frequently amazing. A 3D adaptation of Yann Martel’s celebrated 2001
novel, the picture comes to life in ways the big screen hasn’t seen in
years, taking the potential of a survival film to extraordinary heights
of fantasy and spiritual meditation. It’s thrilling cinema, even if
director Ang Lee doesn’t quite achieve a sense of thunderous
enlightenment at the end of the effort. However, this deconstruction of
storytelling remains a frequently mesmerizing, exhausting sit,
highlighting some of the finest technical achievements of the year. Read the rest at Blu-ray.com

There is a lot of talented people involved with the making of the
gambling dramedy, “Lay the Favorite,” rendering the non-committal
attitude of the piece rather perplexing. Despite a swirling atmosphere
of degenerates and jealousy, the material doesn’t spark to life, finding
director Stephen Frears strangely powerless when it comes to infusing
the work with resonance and, in some cases, genuine laughs. Perhaps
those already hip-deep in the world of sports betting might be able to
suck out the juices of experience that gift the movie its most authentic
moments, though even that level of appreciation seems like a long shot,
with much of “Lay the Favorite” sluggishly trying to make sense of a
story it doesn’t appear to believe in. Read the rest at Blu-ray.com

“In Their Skin” deserves some amount of credit for even attempting to
root its tale of a home invasion in a psychologically troubling place of
envy and obsession. It’s an open attempt to understand the headspace of
the antagonists, but the effect gradually washes away the longer the
feature lingers on its cast to articulate the heightened concern.
Although the movie kicks off superbly with a chilling opening half
that’s inventive and disquieting, the payoff indulges the worst
instincts of the subgenre, forcing shallow acts of intimidation and
humiliation on material that’s at its best when stewing in a mystifying
atmosphere of unraveling behavior. Read the rest at Blu-ray.com

Remember last year’s “Breaking Dawn – Part 1,” where Bella and Edward
got married, had violent, bed-breaking sex on their honeymoon, and
conceived a daughter that werewolf pal Jacob went all humuna-humuna-humuna
over shortly after her birth, pledging his eternal love to a baby? I’m
sorry to report that the ludicrousness of “Part 1” doesn’t carry over to
“Breaking Dawn – Part 2,” which, in its ambition to manufacture an epic
conclusion to a decidedly earthbound saga, mounts an incredible amount
of exposition and adds a legion of superfluous characters to reach a
point of explosion it ends up mischievously undercutting as a way to
keep the die-hard fans guessing to the end. The series has been mopey,
uninspired, poorly acted, and dramatically inert. Now, with “Part 2,”
it’s become a total cheat. Read the rest at Blu-ray.com

It’s interesting to find the new film from Steven Spielberg titled
“Lincoln,” when in fact it’s barely about Abraham Lincoln at all.
Attempting to transform the 16th President of the United States into an
angel, Spielberg loses touch with reality, making a ponderous museum
piece about a deeply complex man, focusing so intently on one page of
history, it makes the subject even more enigmatic. Although richly
constructed with impeccable cinematic style, “Lincoln” is an airless,
directionless lump of a movie that somehow makes dependably committed
work from star Daniel Day-Lewis feel like an audition tape for the
“Great Moments with Mr. Lincoln” audio-animatronic gig at Disneyland. Read the rest at Blu-ray.com