I’m sure there will be much hullabaloo accompanying the release of Mike Judge’s “Extract,” as the film is a return to the workplace blues genre that made Judge a cult hero with the 1999 picture, “Office Space.” The comparison needlessly reduces “Extract” to an afterthought when it’s actually a sturdy, uproarious comedy that solidifies Judge’s voice as a relaxed filmmaker with impeccable timing and a valuable interest in blending the absurd with the awkwardly real.
BRIAN ORNDORF 