“The Citizen” is an earnest movie, to a point where it almost reaches
self-parody. It’s an immigration story set during the turbulent years
after 9/11, using that open wound in American history to explore the
nature of citizenship and bigotry. As well-intentioned as it is, “The
Citizen” is a clumsy feature, electing a broad approach for a complex
subject, breaking down the particulars of hate and suspicion into
bite-sized nuggets of moralizing, ideal for easy digestion. Although
satisfactorily performed, the picture is such a pedestrian effort, it’s
impossible to take seriously, diluting the troubles of the world to
fashion the easiest sit possible.
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