Category: DVD/BLU-RAY

Emma Seligman makes an impressive filmmaking debut with "Shiva Baby," managing to tap into a mounting sense of panic in a way that rivals seasoned helmers. The writer/director doesn't go big for his first feature, taking viewers into the pressure cooker environment of a funeral gathering, with Jewish families coming together to mourn, but also catch up on gossip and personal achievements, leaving the central character to manage all sorts of judgmental attitudes while dealing with a potentially life-changing reveal of her secretive employment. Offered a house filled with itchy personalities, and Seligman transforms "Shiva Baby" (an adaptation of her 2018 short) into a remarkable suspense picture that's loaded with amazing performances and turns of plot, keeping the endeavor riveting and also darkly comedic. Seligman does a lot with very little here, showcasing a gift for subtle behaviors and broad confrontations. Read the rest at Blu-ray.com

"Baxter" is a 1989 French production adapting the general strangeness of a 1977 book, "Hell Hound." The tale explores the sociopathic interests of a bull terrier who's passed around to different owners during his life, learning to understand how humans act when dealing with various emotional and physical challenges. It's dark material brought to the screen by director Jerome Boivin (who co-scripts with Jacques Audiard), who tries to bring viewers inside the mind of a dangerous yet curious canine, yet avoid horror film formula in the process. "Baxter" is a bizarre endeavor, never quite reaching its thematic goals, but it does have some interesting scenes of mental illness to keep it involving. Read the rest at Blu-ray.com

Screenwriter Charlie Kaufman went from industry struggle to Oscar-nominated glory with 1999's "Being John Malkovich." His specialized brand of quirk and surrealism found an audience with the picture, which, against all odds, made money, turning Kaufman into a critical darling and the "it" man of the indie film world. His reputation took a hit with 2001's "Human Nature," which was pushed into production after "Being John Malkovich" proved to be profitable, finding producers eager to ride the Kaufman wave to another specialty cinema sensation, fueled by the writer's obsession with oddity and the peculiarities of human behavior. "Human Nature" isn't nearly as unusual as his previous work, and he finds a less disciplined collaborator in director Michel Gondry, who works ridiculously hard to transform his helming debut into a cinematic playground of tricks and fantasy, which doesn't always mesh with Kaufman's self-conscious probing of damaged people. Read the rest at Blu-ray.com

1979's "The Lady in Red" has something to work with, using a screenplay written by John Sayles, who clearly wants to make his mark with a gritty, pitiless gangster story told from the perspective of a woman involved in the fringes of the violent culture. Sayles aims to create characters and threats, aiming to deal honestly and epically with the lead character's descent into hell. Unfortunately, "The Lady in Red" is a Roger Corman production, which means down-and-dirty filmmaking and a general muting of Sayles's ambition for the project, though elements of his vision remain intact in a feature that gradually loses its initial spark. Read the rest at Blu-ray.com

After making a strong impression with his quickie work on 1974's "Caged Heat," director Jonathan Demme stuck with producer Roger Corman for 1975's "Crazy Mama." A tale of a dire financial straits temporary alleviated by old-fashioned robbery, "Crazy Mama" is a wild burst of screen energy, dealing with criminal interests, family business, and road trip activity, with Demme aiming to ride the picture as hard as possible before the production eventually tries to find a resolution. It's a chaotic endeavor, but this Demme's happy place, working to generate as much commotion as possible before viewers catch on to the thinness of the material. Read the rest at Blu-ray.com

Prolific director Rene Cardona Jr. elects to claim part of the jungle adventure gold rush of the early 1980s with "Treasure of the Amazon," one of three movies he made in 1985. Cardona Jr. is not one to offer hospital corners on his pictures, and this messiness extends to "Treasure of the Amazon," which attempts to create three distinct plotlines about outsiders in the deep jungle hunting for gold and diamonds, tracking separate games of survival as the teams are hit from all sides by danger. The feature isn't a good example of multi-character storytelling, but it does remain on the move, with Cardona Jr. interested in exploitation elements to hold attention, working to give his jungle event some cheap thrills. Read the rest at Blu-ray.com

For his second film of 1978, director Rene Cardona Jr. gets away from the unsatisfying mysteries of "The Bermuda Triangle," and tries to latch on to the disaster movie trend with "Cyclone." Of course, he's a little past the peak of the subgenre's popularity during the 1970s, but Cardona Jr. comes armed with a small-scale overview of human suffering, taking a second bite of the Andes Mountain Disaster after overseeing 1976's "Survive!" Instead of revisiting high-altitude danger, "Cyclone" visits the vastness of the ocean, tracking the physical exhaustion and thinning patience of characters lost at sea. Cardona Jr. doesn't have enough cash for the Irwin Allen treatment, but he creates passable misery with the picture, which has some fine moments of agitation contained within a bizarrely long run time. Read the rest at Blu-ray.com

Considering the potential of a story set inside the Bermuda Triangle, it's very disappointing to watch Rene Cardona Jr.'s take on the myth. Instead of dialing up the suspense while managing a ship-based tale of familial troubles colliding with the unknown, the helmer mostly manufactures a soap opera with "The Bermuda Triangle," filling a bloated run time with unexciting events happening to uninteresting people. Sure, there's a cursed doll in the mix (making this play like an "Annabelle" sequel), but the director oversees a strangely casual chiller that's more about banal conversations than nail-biting sequences of survival. Read the rest at Blu-ray.com

Not really cut out for roles that require a great deal of warmth and gentleness, actor Gary Busey goes full exploitation for 1986's "Eye of the Tiger." The screenplay (by Michael Thomas Montgomery) plays to the performer's strengths, tasking him to play a hardened man whose hunt for some type of domestic heaven is destroyed by the deadly ways of a local biker gang that controls the town. Director Richard C. Sarafian (who worked with Busey in 1984's "The Bear") doesn't pretend he's makes a Shakespeare adaptation with the endeavor, diving into merciless violence and heated confrontations, while the material adds a few fantasy touches to make the whole thing wonderfully absurd. "Eye of the Tiger" is slight but entertaining, with Busey offering a steely turn that helps the feature reach its potential as bottom shelf escapism with noticeable hustle and plenty of angry encounters. Read the rest at Blu-ray.com

Crudeness should have a level of wit to it, helping viewers work through gross-outs and general raunch knowing there's some light at the end of the tunnel. Writer/director Jonathan Kaufman skipped smartness when he put together "Donny's Bar Mitzvah," which is meant to deliver a mockumentary- style faux documentary romp about the titular teen and his special party, which, rather quickly, spins wildly out of control for a collection of characters. Kaufman intentionally aims for the bottom of the barrel with this endeavor, which is relentless in its pursuit of vulgarity. It's a chore to sit through, with the helmer's greatest sin being a lack of invention when it comes to jokes, which there aren't any. Read the rest at Blu-ray.com

Martha Cooper was once a young woman with a dream to become a working photographer, facing a male-dominated industry that wasn't particularly interested in her talents. Cooper ultimately didn't allow such discouragement to break her spirit, and "Martha: A Picture Story" charts her rise in the industry, gaining widespread respect and fame for her interest in the world of street art, with this artful "writing" finding an unusual guardian in Cooper, who fell in love with the subculture in the 1970s and never looked back. Director Selina Miles is offered access to Cooper, splitting time between interviews and photographic activity as the subject continues her research into the ways of graffiti and its creators. Read the rest at Blu-ray.com

Director Fabrice du Welz was last seen on screens with 2017's "Message from the King," a largely forgettable endeavor that provided the helmer with a taste of Hollywood-style filmmaking, working with a decent budget and big stars, including Chadwick Boseman. Feeling a bit burned by the experience, du Welz returns to more personal storytelling with 2019's "Adoration," which has more in common with early efforts like "Alleluia" and "Vinyan." He's not making a horror movie with the offering, but "Adoration" triggers a few chills as it examines the ravages of mental illness and the destructive purity of a boy's heart. Read the rest at Blu-ray.com

Co-writers Joe Marcantonio and Jason McColgan try to summon the spirit of early Polanksi with "Kindred," which shares a great deal in common with "Rosemary's Baby" and a few other paranoid offerings from the director. Marcantonio also makes his feature-length helming debut with the endeavor, aiming to give the audience a deliberately paced ride of panic and despair, hoping to reach a dark psychological space with the movie, which deals intimately with imprisonment and manipulation. "Kindred" isn't a particularly long picture, but it could still do with another editorial pass, with Marcantonio trying a bit too hard to prove himself with dreamscape imagery and prolonged suspense, missing a chance to manufacture an impressive nail-biter with real snowballing potential. Read the rest at Blu-ray.com

The world of B-movies is loaded with tales of sci-fi and weird science, with most productions careful to portion out thrills, saving real action or suspense for the last five minutes of the film. 1964's "The Time Travelers" is the rare endeavor to hit the ground running with its oddity, rarely pausing to deal with melodrama or superfluous characters. Writer/director Ib Melchior is committed to a snappy pace for the effort, which largely details a countdown situation involving an escape from a destroyed Earth. There are pressure points to analyze, mutants to battle, and literal magic tricks to stage, giving "The Time Travelers" plenty to do as it attempts to mount a bravely downbeat study of time loop hell. Read the rest at Blu-ray.com

1990's "Child in the Night" endeavors to understand in the inner workings of a child traumatized by violence. It's a T.V. offering that's not engineered to go too deep into psychological pain, but writer Michael Petryni has a few ideas on the nature of compartmentalization in children that have merit, connecting the fantasy of "Peter Pan" to the horrors of a real-world crime. It's the execution from director Mike Robe that has some trouble figuring out how to bring such feeling to the small screen, creating a thriller that teeters on the edge of self-parody at times, but retains a moderate amount of dramatic power thanks to a cast of professionals who know how to do something with periodically mediocre writing. Read the rest at Blu-ray.com

"Calendar Girl Murders" is a film that could only be made in 1984. The made-for-television production attempts to bring elements from the world of Playboy Magazine to the small screen, giving the home audience some cheap thrills as "Paradise Magazine" parades around scantily clad women while the production works on a murder mystery to help support what's basically a display of beautiful actresses. The teleplay doesn't put in a significant effort to juice up the detective story, but the production has Tom Skerritt, who delivers a reasonably committed performance, matched well with Sharon Stone, who works hard to keep herself distanced from the ogling nature of the picture. Read the rest at Blu-ray.com

An adaptation of a Richard Peck novel, 1978's "Are You in the House Alone?" is a television movie that puts in some effort to come across as a horror event, tracking the increasing paranoia of a teenage girl as she's stalked by a demented individual. The endeavor dials up the sinister score, inserts criminal POV shots for maximum slasher impact, and deals with creepy characters. While the picture has a certain level of suspense, it's far more effective as an emotional journey for most of the participants, with writer Judith Parker ("L.A. Law") taking special care to explore the cruelties and frustrations of a sexual assault, trying to ignore the film's genre leanings for as long as she can. Read the rest at Blu-ray.com

It's a film star David Bowie has gone on the record as disliking, and he's not wrong. 1978's "Just a Gigolo" spends a lot of time and money to go absolutely nowhere dramatically, with director David Hemmings (who appears in a supporting role) focusing more on recreating Germany in the 1920s than dealing with the obvious shortcomings of a tedious endeavor. Read the rest at Blu-ray.com

IMDB and various online information related to "Crestone" label the feature a documentary. It's not, actually, with co-writer/director Marnie Ellen Hertzler making it clear throughout the endeavor that she's making a staged representation of possibly real people. "Crestone" follows the struggle of a Soundcloud rap group known as Deadgod, with its members electing to move to the middle of nowhere in Colorado, hoping to find the meaning of life through music and marijuana. Spoiler alert: they don't, but Hertzler tries to make a compelling commercial for the unit, channeling the spirit of Harmony Korine as she spends time with old friends(?) who need all the publicity they can get. Read the rest at Blu-ray.com

"Scanner Cop" introduced the character Sam, a cop with scanner abilities trying to find some balance between duty and his telepathic powers. For "Scanner Cop II," Sam is still trying to deal with his history and power, but the screenplay is only marginally paying attention to emotional development. The sequel wants to put on a major show of force when it comes to scanners and their destructive ways, setting up a war of minds that allows for plenty of gore zone visits and intense staring contests from the actors. The loss of an interesting story is a shame, but "Scanner Cop II" delivers more genre highlights, with director Steve Barnett aiming to win viewers over with a grislier take on the "Scanners” universe. Read the rest at Blu-ray.com