Bill (Dick Foran) is in possession of Morgan's Island, but he doesn't know what to do with it. Out with pal Stuff (Fuzzy Knight), Bill saves sailor Tobias (Leo Carrillo) from trouble, with the trio coming into contact with half of a treasure map. Realizing he could make a few bucks selling Morgan's Island has a treasure hunter destination, Bill takes his first group to the dilapidated estate on the property, only to encounter a phantom individual who wants to disrupt any search for buried loot. Read the rest at Blu-ray.com

Henrietta (Cecilia Loftus) is an old woman who refuses to die. While nearing the end of her life, Henrietta is joined by her family, including Montague (Basil Rathbone), inside her mansion, with the gathered relatives waiting for her expiration to get their hands on their inheritances. When the matriarch is murdered, the money goes to her housekeeper, Abigail (Gale Sondergaard), leaving the family unsettled. Joining the gathering are antique dealers Mr. Penny (Hugh Herbert) and Smith (Broderick Crawford), with the men leading the charge to find out who killed Henrietta. Read the rest at Blu-ray.com

After surviving a horrible accident where a bus slams into a power line, sideshow performer Dan (Lon Chaney, Jr.) is lucky to be alive, having built up an immunity to electricity due to his specialized act. Brought in for study by Dr. John (Samuel S. Hinds), Dan is soon claimed by Dr. Paul (Lionel Atwill), a mad scientist looking to experiment on Dan's ease with electricity, creating a murderous monster along the way. Read the rest at Blu-ray.com

As the lead offering on "The Universal Horror Collection: Volume 3," 1939's "Tower of London" has the distinction of not being a horror film. Murders are common in this retelling of Richard, Duke of Gloucester's (Basil Rathbone) merciless rise to power, working with Mord (the great Boris Karloff), his enforcer, to clear the way to royal glory. It's a nightmarish scenario, but director Rowland V. Lee doesn't push the material into a fright zone, more interested in Shakespearian lunges for power and control as Richard works his way through rivals to achieve his lust for the crown. Read the rest at Blu-ray.com

Originally conceived as a two-part extravaganza from Troma Entertainment, "Return to Nuke 'Em High" was intended to be an all-new blowout screen party from a company that hasn't had one in a long time. Director Lloyd Kaufman was so certain of fan interest, he doubled down on Tromaville chaos, shooting two movies concurrently, aiming to create an epic to top all other Troma epics. Unfortunately, few showed up to the party. "Return to Nuke 'Em High: Vol. 1" was released in 2014, with the cult experience well-received by loyal followers of Troma, but failed to make much of a dent beyond the core audience, who were offered a teaser for a follow-up planned for 2015. The year came and went, as did a few more, but Kaufman couldn't finish the feature, ultimately turning to Kickstarter to help pay for completion. Now five years after "Vol. 1" provided a goopy, gory ride of hyper-violent nonsense, "Return to Return to Nuke 'Em High AKA Vol. 2" is finally here, and good heavens, it's not worth the extended wait. Read the rest at Blu-ray.com

Taking a look at a specific time in the career of Abbott and Costello, Shout Factory brings a whopping 28 films from the comedy duo's time with Universal Pictures to Blu-ray. There's an incredibly wide range of efforts here, starting with Abbott and Costello's screen debut in 1940's "One Night in the Tropics," to their final Universal effort, 1955's "Abbott and Costello Meet the Mummy." The rest of the collection examines their big hits ("Buck Privates"), strange experiments ("Little Giant"), and iconic forays into genre interests ("Abbott and Costello Meet Frankenstein"), while the rest of the set showcases all sorts of madcap action and slapstick intensity, pinpointing the genius of the Bud Abbott and Lou Costello, and their incredible comfort with formula, trying their very best to deliver a good time for appreciative audiences. Read the rest at Blu-ray.com

"Downton Abbey" premiered in 2010, with creator Julian Fellowes attempting to return some old-fashioned class conflict to television, reviving the "Upstairs, Downstairs" formula to explore the world of the elite and those hired to serve them. The ITV series was a smash, inspiring a passionate fanbase and renewing the urgency of PBS programming in America, where the show managed to become a phenomenon. For 52 episodes, Fellowes guided viewers through the ups and down of life on a grand English estate, creating memorable characters and tastefully manipulative drama, relying heavily on refined production values and the sheer charms of the ensemble, who never failed the program. Four years after the series concluded, "Downton Abbey" is back, only now the saga of the Crawley Family has turned to the big screen for a suitable return, challenging Fellowes to pack in a season's worth of mischief, manners, and longing into 122 minutes. He's up for the task, and while "Downton Abbey" isn't a revelation, it remains reliable entertainment, careful to deliver what the faithful expect from the brand name. Read the rest at Blu-ray.com

In 2000, "Dora the Explorer" made its debut on Nickelodeon. The show was aimed at preschoolers just getting their bearings with language, with the titular host offering mild look-and-find adventures with help from her monkey pal Boots, various items of survival gear, and Spanish. Perhaps trying to age up the material to reunite with the original generation of viewers, "Dora and the Lost City of Gold" brings the character into her teenager years, replacing simple tasks with more sophisticated adventure puzzles and real-world struggles of acceptance. Dora's pluckiness hasn't been sacrificed in the transition, with star Isabela Moner delivering a pitch-perfect performance as the grown-up version of the animated character, helping to secure the lively, silly spirit constructed by director James Bobin ("The Muppets"), who does an impressive job redefining Dora for older audiences. Read the rest at Blu-ray.com

After taking a break from cinematic study for quite some time, submarine movies seem to be back in vogue. The underwater war machines offer potential for a more regal sort of national confrontation, allowing filmmakers to detail efforts of strategy and patience instead of serving up fiery conflict, preserving the promise of high drama at stunning depths. Last year there was "Hunter Killer," a popcorn take on naval tensions, with "The Command" (a.k.a. "Kursk") endeavoring to dramatize a true story of unimaginable survival. Director Thomas Vinterberg and screenwriter Robert Rodat ("Saving Private Ryan") step away from pyrotechnics and near-misses to grasp the sheer horror of a 2000 Russian disaster, concentrating on the panic of the moment and concern brewing on land, searching for a way to grasp rising tensions from multiple points of view. "The Command" isn't showy, trying to remain human and procedural as it details a desperate situation. Read the rest at Blu-ray.com

There's a lesson to be learned from "Killers Anonymous." Its marketing boasts the participation of Gary Oldman and Jessica Alba, pushing the stars up front to secure some attention that wouldn't be otherwise afforded to the low-budget endeavor. Predictably, Alba's barely in the effort, while nearly all of Oldman's screentime finds the Oscar-winner in a seated position, looking through binoculars. It's a common deception, especially with B-movies, which need something to lure innocent viewers in, especially fans of the actors hoping to keep up with filmographies. It would be grand if there was something more to "Killers Anonymous" that's worth paying attention to, but director Martin Owen doesn't have a prize for those willing to sit through the picture. He loads up on colored lighting and scattered violence, but the feature is actually a series of audition pieces, not a cohesive thriller, and it's an absolute chore to sit through. Read the rest at Blu-ray.com

While it deals with feelings of isolation and disillusionment, "The Harvesters" is immediately striking due to its setting, bringing viewers to the world of Afrikaner farmers in South Africa, where cultural pressure and changing times are making it difficult for families in a troubled part of the world. Writer/director Etienne Kallos isn't making a political picture, but he doesn't exactly ignore the cultural strain, which helps the film to tighten its grip as it explores the difficulties facing a young man caught in a troubling position of guardianship while working through his own issues. "The Harvesters" is an unsettling feature at times, but also intensely atmospheric, as Kallos often shows more interest in the cinematic qualities of his endeavor than he does characterization, which grows choppier as the movie unfolds. Read the rest at Blu-ray.com