“The Poughkeepsie Tapes” isn’t a new release. Produced in 2006 and slated for release in 2007, something went horribly wrong along the way, with the picture shelved for the next seven years. In the interim, siblings John Erick Dowdle and Drew Dowdle managed to create a career without the use of their directorial calling card, helming 2008’s “Quarantine” and 2010’s “Devil” (a third film, “As Above, So Below,” is due out in a few weeks). While their subsequent efforts failed to impress, it’s interesting to finally see the origin of their fascination with the horror genre, with “The Poughkeepsie Tapes” a feature of pure shock value in line with similar attention-seeking debuts. Read the rest at Blu-ray.com

A few years ago, writer/director John Michael McDonagh cooked up “The Guard,” a darkly comic endeavor that gave star Brendan Gleeson a rare opportunity to show off his range and leading man capabilities, working perhaps the best role of career to its fullest potential. McDonagh has elected to remain in the Gleeson business with “Cavalry,” another grim yet acidic take on the evil that men do. The pairing makes sense, with the actor capturing every detail of the screenwriting, while the direction is happy to hand focus over to the star, permitting the feature to find its surprises, abrasiveness, and thematic intentions with welcome ease. Read the rest at Blu-ray.com

While music bio-pics are always difficult to take seriously, 2007’s “Walk Hard: The Dewey Cox Story” effectively drove a sword into the subgenre with its spot-on parody of clichés, absurdities, and dramatic crutches. There have been so many efforts, and few of them manage to capture the soulfulness of both the music and the artist, it’s a wonder why Hollywood continues to try at all. However, the lure of James Brown proves seductive to director Tate Taylor, who follows up his smash hit, “The Help,” with another tale of racial tension and confession, this time celebrating the mysterious ways of The Godfather of Soul. “Get on Up” is a profoundly flawed feature, but it retains an irresistible subject, with Brown’s insanity and adversity making an energetic leap to the big screen. Read the rest at Blu-ray.com

Up to this point, Marvel Studios didn’t have it easy, but they certainly had an advantage. Mining its most popular characters to create a cinematic universe filled with heroes and villains, the fantastic highlights of icons such as Captain America, Thor, and Iron Man filled the screen with familiar moves of derring-do and outrageous power. But now it’s time for a change, with the creative team turning their sights on “Guardians of the Galaxy,” a relatively unknown property that traditionally earthbound action into deep space. It’s a gamble that pays off splendidly for Marvel, who not only strike gold with this oddball collection of adventurers, but manage to create one of the most satisfying pictures of the series. Read the rest at Blu-ray.com

What’s so interesting about Woody Allen’s work ethic is how unpredictable he can be. One year, he’s masterminding Oscar-winning material that plays to his strengths of comedy and melodrama, puckered to perfection, as found in last year’s “Blue Jasmine.” “Magic in the Moonlight” represents one of the writer/director’s down years, where the inspiration isn’t quite there and his habitually sharp timing is off. It’s certainly not one of his worst, but after the wonderful layers of his previous effort, which aced every theme and emotion it pursued, “Magic in the Moonlight” spends much of its run time spinning its wheels, failing to gain traction with laughs and interesting conflicts despite a corker of a premise. Read the rest at Blu-ray.com

“Mood Indigo” is perhaps the saddest episode of “Pee-Wee’s Playhouse.” The latest from director Michel Gondry, the film is yet another explosion of art-school ambition, this time unleashing his insatiable appetite for whimsy on a melodrama, attempting to fuse matters of the heart with visual idiosyncrasy. The sheer craftsmanship of the movie is astounding, with intricate details filling every frame. Gondry can always be counted on for oddity, but “Mood Indigo” doesn’t bother with consistency or, at times, even coherency. It’s a personal flight of fancy for the helmer, who’s so far up into the clouds with this endeavor, he forgets where to land this insistently peculiar picture. Read the rest at Blu-ray.com

The cleansing process of long distance running gets a new workout in “4 Minute Mile,” a drama that often takes on more than it can handle. Director Charles-Olivier Michaud is blessed with capable performances from key cast members, and the picture gets surprisingly far on its sincerity, presenting some real psychological blockage that takes time to work through. “4 Minute Mile” has the capacity to explore some compelling areas of doubt, but the screenplay by Josh Campbell and Jeff Van Wie goes overboard in an attempt to secure tears, torching the third act with brazen manipulation that nearly sours everything that comes before it. Read the rest at Blu-ray.com

To find fault in a picture about the construction of a children’s hospital feels potentially ghoulish, but “Louder Than Words” is a muddled take on a heartfelt subject. Based on a true story, screenwriter Benjamin Chapin has an enormous number of characters and incidents to package into a 90 minute movie. Instead of braiding subplots together to create a richly dramatic viewing experience, Chapin merely samples anguish and moves on the next bit of overwhelming business. It’s frustrating to watch, as “Louder Than Words” does feature some promising conflicts that suggest a more profound film is on the way. Read the rest at Blu-ray.com

It’s difficult to discern exactly what audience “My Man Is a Loser” is intended to appeal to. Male viewers should be offended by the screenplay’s assertion that all married guys are nitwits incapable of managing their problems, constantly befuddled by the opposite sex. Female viewers probably won’t appreciate the paint-by-numbers broheim vibe writer/director Mike Young establishes, with strip club visits and exposed male genital humor likely lost on most ladies. Of course, all could be forgiven if the movie was even the slightest bit funny, but Young doesn’t make much room for wit, depending on tired improvisations and a clichéd battle of the sexes scenario to fill up the feature, which runs out of breath as soon as it commences. Read the rest at Blu-ray.com

Comedy is subjective, perhaps the one genre that divides audiences the most. However, it’s important to spot when a production is actually trying to secure a healthy sense of humor and when filmmakers are simply flinging anything at the screen with hopes something sticks. “Behaving Badly” doesn’t try at all. It’s vulgar and lazy, and most importantly, there’s not a single titter to be had. Co-writer/director Tim Garrick imagines himself the conductor on a symphony of the outrageous with this feature, but its ugliness shouldn’t be underestimated simply because the movie is looking to provide a good time. “Behaving Badly” is one of the worst pictures of 2014, a tribute to “Risky Business” made by people who only read the synopsis on the back of the DVD box. Read the rest at Blu-ray.com

In the race of competing productions, Brett Ratner’s “Hercules” clearly bests Renny Harlin’s January misfire, “The Legend of Hercules.” However, in a way, the audience actually loses twice when it comes to the big screen exploits of the famed demigod, with both pictures so obsessed with mammoth production scale, they forgot how to be fun. With Dwayne Johnson in the title role and Ratner trying to remind viewers that he’s the king of action and comedy, it doesn’t make sense that “Hercules” is as leaden as it is. It’s a bloated, tonally wonky effort that hits all the summer popcorn entertainment highlights but, in the end, it feels like empty calories, lacking the spirit of power and heroism that’s defined this character throughout history. Read the rest at Blu-ray.com