“Better Living Through Chemistry” is a jaunty ride around the dismantling of an everyman. The screenplay by Geoff Moore and David Posamentier (who also co-direct the effort) is filled with formula, never disapproving of a cliché we’ve seen in other, better movies, but the energy of the feature is pleasing. It helps to have a cast who’s come to play, with Olivia Wilde, Michelle Monaghan, and star Sam Rockwell contributing lively work to a picture that needs a boost of a personality. Sporadically funny and sharply paced, “Better Living Through Chemistry” manages to achieve most of its goals, just don’t walk in expecting a radical reinvention of the ruined suburbanite routine. Read the rest at Blu-ray.com

For his latest effort, writer/director/co-star Tyler Perry looks to pander to his female audience in a more welcoming manner than last year’s “Temptation” could provide. Preying on insecurities concerning the challenges of single motherhood, Perry heads into his creative kitchen and whips up the same stale concoction of melodrama, comedy, and hysteria. The wine flows and the punchlines die in “The Single Moms Club,” and Perry can’t seem to fulfill the promise of the title. Instead of breezy jocularity and patient moralizing, the feature is a joyless to-do list of cliches, sold by actresses who appear confused by the material, unsure if they should treat the conflicts with a touch of realism or head off into space, hamming it up while the director takes a nap. Read the rest at Blu-ray.com

The return of Wes Anderson brings enormous expectations for style, whimsy, and tone. Thankfully, “The Grand Budapest Hotel” lives up to the American Empirical brand name with a tart but soaring display of madcap comedy and lush visual presentation. After the tempered sweetness of “Moonrise Kingdom,” it’s interesting to watch the helmer indulge a peppery sense of mischief, constructing an R-rated misadventure with dubious characters and a valentine to the golden age of hospitality, playing with time, aspect ratios, and an enormous cast of familiar faces to shape a cheeky, occasionally shocking feature that’s thoroughly and blissfully managed by its idiosyncratic creator. Imagine a blend of “The Muppet Movie,” Mel Brooks, and “Where’s Waldo?” and you’re halfway to the carnival ride viewing experience Anderson delivers with this gem. Read the rest at Blu-ray.com

“Need for Speed” is an adaptation of the popular video game series (over 20 installments), finally bringing its mix of velocity and evasion to the big screen. But let’s be honest here, after the billion-dollar grosses associated with “The Fast and the Furious” franchise, a rival studio wanted its own street race film to call its own. Bloated and nonsensical, “Need for Speed” only has a demolition derby to share with the audience, as all attempts to inject human behavior into this joyless endeavor come up painfully short. If the sound of revving engines and exaggerated enunciation for over two hours of screen time is your thing, by all means, dig into the picture with both hands. Everyone else should seek their cheap thrills elsewhere. Read the rest at Blu-ray.com

Remakes are a common occurrence these days, but the horror genre is practically stuffed with do-overs. Easy to assemble and market, rehashes, or reimaginings, often disappoint, never quite living up to their original inspiration. “Patrick: Evil Awakens” is an update of a 1978 “ozploitation” classic, largely considered to be one of the best chillers to emerge from Australia. Armed with a brand name and movie geek recognition, the producers have elected to mount “Patrick” once again, using contemporary fright film mechanics to sell a familiar tale. Against all odds, they’ve managed to succeed where many efforts fail, returning the tension and peculiarity of the premise for another go-around of telekinetic terror. Read the rest at Blu-ray.com

At the age of 86, Elaine Stritch doesn’t show any signs of slowing down. An accomplished actress, singer, and all-around broad, Stritch’s career contains an amazing run of theater, television, and feature film credits, all boosted by her innate charms and brassy attitude, most recently viewed in the series “30 Rock,” a comedic turn that gifted her a third Emmy win. Refusing insincerity, demanding attention, and committed to the art of performance, Stritch’s life seems tailor-made for a documentary, allowing director Chiemi Karasawa access to a wealth of anecdotes and daily experience to draw from, resulting in “Elaine Stritch: Shoot Me,” a potent look back at a life lived in full and a future that remains unwritten. Read the rest at Blu-ray.com

We’re used to seeing screen depictions of motherhood that lean toward heroism or self-sacrifice in a quest to preserve a future for their children. “Child’s Pose” posits the idea that this noble selflessness could be a programmed response to strife, following a woman’s attempt to relive her son of obvious guilt and legal interests out of habit, not an innate need to protect her own. A Romanian production, “Child’s Pose” is observational and manipulative in a fascinating manner, asking the audience to digest the mechanics of concern without ever feeling as though the lead character is capable of such an emotion. Raw and frighteningly authentic, the feature has a causal immorality that’s fascinating to watch unfold. Read the rest at Blu-ray.com

The crudely titled “U Want Me 2 Kill Him?” has a few tricks up its sleeve as it recounts a true tale of online obsession that led to murder. Misdirection is a major selling point, managing to keep the story wound tight as it surveys various acts of gullibility, most stemming from the easily swayed mind of an undersexed teenage boy. That any of this absurdity is rooted in reality is simply amazing, and director Andrew Douglas (his first effort since the 2005 “The Amityville Horror” remake) does a fine job massaging tension out of the tale. Opening as a demonstration of adolescent lust, “U Want Me 2 Kill Him” takes some interesting left turns as it unfolds, holding attention with its weirdness. Read the rest at Blu-ray.com

It’s the older generation’s right to lament the disorderly state of the average adolescent, but it wasn’t always that way. “Teenage” is an unusual documentary that probes the development of juvenile attitude and independence throughout the first half of the 20th century, isolating certain movements and incidents that helped shape the marvel of youth. Using eye-opening footage of kids on the prowl and parents on the defense (along with dramatic recreation), director Matt Wolf paints a striking portrait of development and unity, sold through individual experiences that add intimacy to a broad sweep of change, articulated through a range of narrators. Read the rest at Blu-ray.com

“The Face of Love” boasts a terrific premise that promises to inspect the difficulty of the grieving process, especially when faced with the comfort of the familiar versus the reality of the unknown. The potential for honest heartache is great, but a few ideas break the concentration of the picture as it enters its third act. At the very least, there’s phenomenal work from Annette Bening, who invests in the frailties of human emotion, and Ed Harris, showing uncharacteristic warmth in a difficult role. Co-writer/director Arie Posin almost nails the subtlety of temptation, delivering an hour of compelling, provocative drama. He doesn’t stick the landing, which ends up the most important element of this interesting effort. Read the rest at Blu-ray.com

The name Jeremiah Chechik hasn’t been associated with a major motion picture in quite some time. The director of “Benny & Joon,” the “Diabolique” remake, and the mangled “The Avengers” big screen adventure from 1998, Chechik retreated to television when his multiplex fortunes soured, finding a medium that welcomed his interests in quirk and speed. “The Right Kind of Wrong” is a return to feature-length storytelling for the helmer, but old habits die hard. Overly cutesy and strangely unpleasant, the picture endeavors to rework stale romantic comedy clichés with flashes of R-rated behavior and escalating misery for the lead character. Mostly, the movie comes off fatigued and unfunny, laboring to fashion a farce that never gets off the ground. Read the rest at Blu-ray.com

I wouldn’t call it hope, but there was a desire to see “Shirin in Love” attack a romantic story with a distinct Iranian perspective, shaking up the routine. Unfortunately, writer/director Ramin Niami isn’t interested in a substantial exploration of culture, keeping the material as Hollywood as possible, with Iranian influences mere decoration that often get in the way of numbing cliché. Although it seeks to be soft, approachable entertainment concerning the needs of the heart versus the demands of tradition, “Shirin in Love” almost seem ashamed of its heritage, electing shed its personality to make a movie we’ve all seen a hundred times before. Read the rest at Blu-ray.com

“12 O’Clock Boys” initially promises a story concerning the mystique of inner-city dirt bike riding, but ends up a terrifying tale of innocence lost. It’s strong work from director Lotfy Nathan, who acquires incredible access to a subculture that largely seeks out anonymity, following a boy as he develops into a young man with a questionable direction in life. Although it initially positions itself as a surface portrayal of urban decay, “12 O’Clock Boys” has the benefit of time, with three years of footage collected and edited into an unsettling and combustible portrait of neglect and wayward ambition, riveting all the way to the end. Read the rest at Blu-ray.com

2007’s “300” was a massive box office hit, tempting moviegoers with a vision of historical fantasy that dripped with blood, screamed until hoarse, and was wallpapered with abs. Director Zack Snyder gleefully adapted Frank Miller’s graphic novel, digging into its pulpy roots as he fashioned an epic that teased regality as it welcomed absurdity. Seven years later, we have “300: Rise of an Empire,” a follow-up that’s more of a parallel story, trading the rhythmic march of soldiers for the high seas, adding a naval aspect to the ongoing war between the Greeks and Persians. Out to mimic Snyder’s vision, “Rise of an Empire” sheds its stasis quickly, achieving a thunderous tone of combat and sword-swinging screen stylistics that brings thrilling aggression to all this ridiculousness. Read the rest at Blu-ray.com

The Mr. Peabody and Sherman shorts from producer Jay Ward were a highlight of “The Bullwinkle Show” and “Rocky and his Friends,” charming audiences of all ages in the 1960s with misadventures through “Peabody’s Improbable History.” Armed with wry wit and finger-snap timing, the animated segments were silly and swift, embracing the cartoon dog’s supergenius and his adoptive son’s goofy naiveté. Taking something meant to play out in full in five minutes and inflating it to 90 minutes creates quite a challenge for the producers of the CG-animated effort, “Mr. Peabody & Sherman.” Unable to replicate sublime brevity, they overload with exposition and characters, while exhaustively Seth MacFarlane-izing the jokes to a point where the big screen version barely resembles its small screen inspiration. Read the rest at Blu-ray.com

Acting is a difficult profession to be successful in, and I don’t begrudge anyone an opportunity to take a paycheck now and again. It’s this continued interest in money gigs that causes some concern. “The Bag Man” is a thriller co-written and directed by David Grovic, his debut as a helmer, and somehow, someway this tiny, bottom-shelf production managed to entice John Cusack to star, with Robert De Niro taking a supporting role. Why these two were drawn to such dismal material isn’t clear, but something tells me there were a certain number of zeros motivating their decision. Grovic is lucky to have the professionals around, as this shabby mystery has little to offer audiences besides unintentional laughs. Read the rest at Blu-ray.com

Appreciating “Awful Nice” means enduring “Awful Nice,” and that’s not always easy to do. A story of brotherhood, with an emphasis on combative behavior, the feature isolates a verbose, wandering vibe of communication, and while this chatterbox behavior fulfills a dramatic purpose, it generates a challenge for the viewer, forced to endure actors feeling around for the moment instead of directly connecting to the meat of the scene. In return for such patience, “Awful Nice” delivers a steady stream of laughs and an accurate depiction of sibling rivalry, contributing to a funny, freewheeling effort that’s missing focus, but finds an unusual personality of its own. Read the rest at Blu-ray.com