For their fifth release, Dark Castle Entertainment returns to remake territory with "House of Wax," which takes its inspiration from a 1953 Andre DeToth film, which was a remake of a 1933 picture, "Mystery of the Wax Museum." Looking to capture some 2005 energy, the new "House of Wax" gathers young stars of the day to provide a fresh sense of peril for viewers, while director Jaume Collet-Serra (making his helming debut) invests in the oily, sludgy textures of the titular gunk, attempting to generate a more claustrophobic sense of danger for his take on the material (scripted by Chad and Carey Hayes). "House of Wax" isn't particularly well-acted or tightly edited, but it does have a visual presence that impresses, with Collet- Serra delivering a pleasingly ruthless nightmare that does especially well with creepy visuals and bodily harm, resulting in one of the best Dark Castle Entertainment offerings. Read the rest at Blu-ray.com

The call of the wild gets incredibly grim in "Hunter Hunter," with writer/director Shawn Linden exploring the savage ways of man and beast in the feature. He doesn't hold back on the hard stuff in the picture, offering a merciless understanding of violence, but not a sustained one. "Hunter Hunter" is slow-burn but effective, with Linden working to understand troubled characters and survival issues while carefully creating a gristly genre film out of the endeavor, and an effective one, sneaking up on viewers with strong writing and a deliberate choice to not take it easy the participants in this suspenseful movie. Read the rest at Blu-ray.com

A true bio-pic on the life and times of David Bowie will probably never be made, forcing the producers of "Stardust" to work around legal issues as they attempt to illuminate a transitional year for the future industry icon. It seems futile to even attempt to do a movie about David Bowie that doesn't feature David Bowie music, but here we are, and "Stardust" gets somewhere interesting when it comes to the psychological state of the musician during a time of tremendous insecurity. Sonically, the picture is almost pointless, with co-writer/director Gabriel Range trying to work around the loss of classic tunes, failing to come up with stimulating replacements capable of identifying Bowie's developing brilliance during a year of career redirection. Read the rest at Blu-ray.com

Emma Seligman makes an impressive filmmaking debut with "Shiva Baby," managing to tap into a mounting sense of panic in a way that rivals seasoned helmers. The writer/director doesn't go big for his first feature, taking viewers into the pressure cooker environment of a funeral gathering, with Jewish families coming together to mourn, but also catch up on gossip and personal achievements, leaving the central character to manage all sorts of judgmental attitudes while dealing with a potentially life-changing reveal of her secretive employment. Offered a house filled with itchy personalities, and Seligman transforms "Shiva Baby" (an adaptation of her 2018 short) into a remarkable suspense picture that's loaded with amazing performances and turns of plot, keeping the endeavor riveting and also darkly comedic. Seligman does a lot with very little here, showcasing a gift for subtle behaviors and broad confrontations. Read the rest at Blu-ray.com

"Baxter" is a 1989 French production adapting the general strangeness of a 1977 book, "Hell Hound." The tale explores the sociopathic interests of a bull terrier who's passed around to different owners during his life, learning to understand how humans act when dealing with various emotional and physical challenges. It's dark material brought to the screen by director Jerome Boivin (who co-scripts with Jacques Audiard), who tries to bring viewers inside the mind of a dangerous yet curious canine, yet avoid horror film formula in the process. "Baxter" is a bizarre endeavor, never quite reaching its thematic goals, but it does have some interesting scenes of mental illness to keep it involving. Read the rest at Blu-ray.com

Screenwriter Charlie Kaufman went from industry struggle to Oscar-nominated glory with 1999's "Being John Malkovich." His specialized brand of quirk and surrealism found an audience with the picture, which, against all odds, made money, turning Kaufman into a critical darling and the "it" man of the indie film world. His reputation took a hit with 2001's "Human Nature," which was pushed into production after "Being John Malkovich" proved to be profitable, finding producers eager to ride the Kaufman wave to another specialty cinema sensation, fueled by the writer's obsession with oddity and the peculiarities of human behavior. "Human Nature" isn't nearly as unusual as his previous work, and he finds a less disciplined collaborator in director Michel Gondry, who works ridiculously hard to transform his helming debut into a cinematic playground of tricks and fantasy, which doesn't always mesh with Kaufman's self-conscious probing of damaged people. Read the rest at Blu-ray.com

1979's "The Lady in Red" has something to work with, using a screenplay written by John Sayles, who clearly wants to make his mark with a gritty, pitiless gangster story told from the perspective of a woman involved in the fringes of the violent culture. Sayles aims to create characters and threats, aiming to deal honestly and epically with the lead character's descent into hell. Unfortunately, "The Lady in Red" is a Roger Corman production, which means down-and-dirty filmmaking and a general muting of Sayles's ambition for the project, though elements of his vision remain intact in a feature that gradually loses its initial spark. Read the rest at Blu-ray.com

After making a strong impression with his quickie work on 1974's "Caged Heat," director Jonathan Demme stuck with producer Roger Corman for 1975's "Crazy Mama." A tale of a dire financial straits temporary alleviated by old-fashioned robbery, "Crazy Mama" is a wild burst of screen energy, dealing with criminal interests, family business, and road trip activity, with Demme aiming to ride the picture as hard as possible before the production eventually tries to find a resolution. It's a chaotic endeavor, but this Demme's happy place, working to generate as much commotion as possible before viewers catch on to the thinness of the material. Read the rest at Blu-ray.com

Prolific director Rene Cardona Jr. elects to claim part of the jungle adventure gold rush of the early 1980s with "Treasure of the Amazon," one of three movies he made in 1985. Cardona Jr. is not one to offer hospital corners on his pictures, and this messiness extends to "Treasure of the Amazon," which attempts to create three distinct plotlines about outsiders in the deep jungle hunting for gold and diamonds, tracking separate games of survival as the teams are hit from all sides by danger. The feature isn't a good example of multi-character storytelling, but it does remain on the move, with Cardona Jr. interested in exploitation elements to hold attention, working to give his jungle event some cheap thrills. Read the rest at Blu-ray.com

For his second film of 1978, director Rene Cardona Jr. gets away from the unsatisfying mysteries of "The Bermuda Triangle," and tries to latch on to the disaster movie trend with "Cyclone." Of course, he's a little past the peak of the subgenre's popularity during the 1970s, but Cardona Jr. comes armed with a small-scale overview of human suffering, taking a second bite of the Andes Mountain Disaster after overseeing 1976's "Survive!" Instead of revisiting high-altitude danger, "Cyclone" visits the vastness of the ocean, tracking the physical exhaustion and thinning patience of characters lost at sea. Cardona Jr. doesn't have enough cash for the Irwin Allen treatment, but he creates passable misery with the picture, which has some fine moments of agitation contained within a bizarrely long run time. Read the rest at Blu-ray.com

Considering the potential of a story set inside the Bermuda Triangle, it's very disappointing to watch Rene Cardona Jr.'s take on the myth. Instead of dialing up the suspense while managing a ship-based tale of familial troubles colliding with the unknown, the helmer mostly manufactures a soap opera with "The Bermuda Triangle," filling a bloated run time with unexciting events happening to uninteresting people. Sure, there's a cursed doll in the mix (making this play like an "Annabelle" sequel), but the director oversees a strangely casual chiller that's more about banal conversations than nail-biting sequences of survival. Read the rest at Blu-ray.com